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Philip Wilby
Philip Wilby is one of the foremost composers of church music today.
All of the items listed are worthy of close attention.
The two anthems listed here have been recorded on a fine CD 'Heaven in
Ordinarie' by the Exon Singers under Matthew Owens (Regent REGCD338)
List of Compositions
Thou didst delight mine eyes (B-C) SATB and divisions and organ |
£3.00 each -min. order 10 copies |
A Prayer for St Thomas ((B) SATB and divisions and organ |
£3.00 each -min. order 10 copies |
A Galilee Mass (B) Choir (with short solos) congregation and organ |
£3.00 each -min.order 10 copies Congregational part (on card) 50p |
This is wonderful stuff and we are proud to feature these pieces in our lists. The Mass is eminently suitable for parish church use.
For the Iron Voice (for Organ) (D) |
£10.00 |
'Like Thunder, a Voice of
Iron assails our ears, driving out every other sound.' Wulstan 990
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These three short pieces take as their springboard the much-quoted
description of the huge organ of Winchester Cathedral by the 10th Century monk
Wulstan. Philip writes ‘My three pieces offer listeners some of the grand
and colourful contrasts for which the modern organ is most renowned. They are
‘Gothic’, a turbulent movement which counterpoints towering climaxes with
mechanical textures and coloristic effects. ‘Pensiero’, which as its name
suggests, is thoughtful and introspective, using the pedal division to play a
high line on a solo stop. The suite ends with a ‘Moto Perpetuo’, as enjoyable to
hear as it is difficult to play, and catching something of Wulstan’s original
statement, ‘Like thunder, driving out every other sound.’
Originally
written in 2004 for Graham Barber and the Armley Schulze Organ, this present
edition has been prepared for Paul Walton to play during BBC Choral Evensong
Broadcast on March 21 2012 from Bristol Cathedral.
Prof. Wilby is one of the
foremost composers of (inter alia) organ and choral music, and this organ work,
while not for the timid (player or listener) is absolutely stunning. Wow!
Bristol Responses (B) SATB (minor divisions) unaccompanied |
£3.00 |
Philip is in ‘parish choir
mode’ here, so these well-written sentences will be found approachable and
rewarding.
Recessional on a Wesleyan Hymn
(‘Sagina’)
(B/C) SATB (minor divisions) unaccompanied |
£6.00 |
From January 2007 to July of
this year Philip and his wife Wendy lived in Bristol where she served in the
Cathedral as Canon Precentor. They have now returned to Yorkshire This imposing
Postlude was written as a surprise present for her final service.
Organ Hours (D) | £12.00 |
Contrapuntal Exercises after the Medieval Clock of Wells Cathedral
The composer writes: 'The Great Clock of Wells Cathedral, which is one of the oldest in England, has been delighting passers-by since 1390. Thus, when the cathedral's organist Matthew Owens asked me to compose a set of short fugues for his new House Organ in 2017, I turned to the medieval clock and its many historical features to provide a framework for my small collection of contrapuntal exercises.'
Though written with a house organ in mind these splendid pieces, which are dramatic and imaginative by turns can be played with advantage on any size of organ.
The Wells Service (D) (ATB Div, and organ) |
£5.00 |
This elaborate setting of the Evening Canticles was written for the Vicars Choral of Wells Cathedral and their Conductor Matthew Owens. It is exciting and good fun all round.
Ripon Misericords (C/D) |
£20.00 |
We are privileged to be asked to
publish this major work, by a fine composer. The carving of Ripon Cathedral’s
Misericords was started shortly after the Wars of the Roses in 1489 and took
some five years to complete. Renowned for their detail and humour, they are
arranged in two sets, where salvation on the north side is counterpointed by
temptation on the south. The whole structure is surrounded by a magnificent
choir of angels clustering around the choir canopy. Unlike those of many other
Northern Cathedrals they have remained largely undamaged,and represent one the
earliest complete sets in England.
In 2019, one of the angels became
detached, and it was decided that the whole set should be restored to its former
glory. These organ miniatures seek to highlight that restoration with a sequence
of musical portraits accompanied by small explanatory texts, and each dedicated
to an individual organist. The set concludes with a set of Variations on Henry
Tudor’s favourite song ‘The Western Wynde’. There is an optional part for a
narrator.
ARC (D) |
£15.00 |
Philip’s preface reads: 'ARC' -
the term offers a variety of meanings, all of which involve an incomplete part
of a circle or curved line. Correspondingly, there is an association with
architecture, and with arches, whose repeating forms are often seen from a
particular vantage point and form the basis of the perspective studies of
Renaissance artists. In my own case, this recital piece combines both of these
features, involving repetitions, symmetrical and retrograde sections in the
earlier sections of the music. These shorter movements finally develop into an
extended finale, embracing a larger musical perspective before returning to the
opening Toccata material, and a brilliant conclusion. Dedicated to and premièred
by Margaret Phillips for her recital in York Minster on 11 August 2022, the
score allows the performer ample scope to explore the majestic acoustic of the
cathedral, and its famous gothic arches.
The work has been commissioned
with the financial support of the Champniss Foundation to commemorate the life
of Alfred Champniss (1933-2022).
Last updated: 01 October 2022